PPI SI Standard Palette - FX

Designed for just about any injury orillness imaginable, the Skin Illustrator FX palette can simulate 1st, 2nd &3rd. degree burns, cuts, scrapes, scabs, and bruises. The FX Palette seamlesslyintegrates with the FLESH TONE Palette to create varying degrees of injuriesand illnesses. The pigment content is much higher than any other paletteavailable so the colors go farther and last longer.

Tested on feature film productions by ateam of award winning makeup artists, FX has already proven itself a valuableaddition to anyone’s makeup kit.

BLOOD TONE was created specifically to aidthe artist in the struggle of feature film continuity and syrup based bloods.It is a realistic natural blood color that can easily be altered to a deeper,more theatrical color blood with the addition of ULTRA BLUE. Conventionalbloods will wear or flake away after your actor has left the chair, but with astand alone application of BLOOD TONE plus a topical application of KY Jelly,your blood work will look good all day without rubbing off or staining theactors costume. When working with the BLOOD TONE, a thin application of KYprovides a nice sheen, while a large dollop gives the appearance of drippingblood. The durability of the BLOOD TONE color allows you the freedom to placeyour blood in the morning, allow it to dry, and then instantly freshen it tocamera-ready quality whenever your actor is actually called to set – even ifit’s hours later.

BLOOD TONE also works exceptionally well asan abrasion resistant undercolor with syrup based bloods. If the conventionalblood washes or wears away in a wet scene, the BLOOD TONE will still be there.Either way – you’re covered!

Mixing certain colors will not create similartones, already present in the palette. Mixing the YELLOW and the BLUE willproduce a different green than the GREEN that is in the palette. Use the BURNTORANGE to provide a rust tone. The AGED BLOOD is a mid-ground aged blood whichis not too blue or purple. By taking the AGED BLOOD and adding it to any othercolor in the palette, you will get a whole new range of color.  Also available - FX Singles, Skin IllustratorFX Liquids and Concentrates.  SkinIllustrator On Set FX Palette.

NB. Due to the high pigment content and lack of unnecessary fillers in theSkin Illustrator color system, cracks, bubbles and any shrunken appearance thatmay occur in some dried color cells does not affect the quality or performanceof the product in any way.

You must use Skin IllustratorActivator,  Skin Illustrator SlowActivator,  or 99% alcohol to activatethe color pigment.  Do Not use  70% alcohol, MEK, acetone, water or any othersolvent.

 Removal is easy with Telesis Super Solv  or Telesis Makeup Remover.