PPI Skin Illustrator Flesh Tone Palette

The colors available in the FLESH TONEPALETTE range from the palest of pink tones to the deepest rich yellow tones.The system contains skin tone colors with warming/cooling adjusters that areideal for fine tuning a skin tone mix that's a perfect match, or for creating asubtle bruising for close camera work. RICE PAPER, the staple of thepalette, can be used as a white color to lighten a particular mix, oron its own to match the skin. You can use NATURAL 1 & 2 as thebasis for most Caucasian tones. These colors already lean to the yellowside of a natural tone so you can decide how much warmth or coolness to add. Ifyou need to warm the NATURALS, add a little CORALADJUSTER or ROSE ADJUSTER II. If you need to cool the tone, add alittle OLIVE ADJUSTER I (liquids only) or VEIN TONE toachieve a beige color. LAO 1 & 2 will be the basis for youryellow undertoned subjects. Start with these colors and you can lighten thetone with a RICE PAPER mix. To make your color more beige, add VEINTONE. To make your color more olive, add OLIVE ADJUSTER II, and if youwant to add a touch of golden quality, use the CORAL ADJUSTER. CEDARBROWN (a new color) is a warm yellow based brown that can add a tan toyour actor or darken the 5 basic flesh tones, All of the color adjusters havebeen formulated to intermix with the flesh tones.  Also available, Skin Illustrator On SetFlesh tone Palette, FleshTone Singles,  liquidsand concentrates for airbrushing and refilling palettes.

NB.  Due to the high pigment contentand lack of unnecessary fillers in the Skin Illustrator color system, cracks,bubbles and any shrunken appearance that may occur in some dried color cellsdoes not affect the quality or performance of the product in any way. 

You must use SkinIllustrator Activator,  SkinIllustrator Slow Activator,  or 99% alcohol to activate the colorpigment.  Do Not use  70% alcohol, MEK, acetone, water or any othersolvent.

 Removal is easy with TelesisSuper Solv or TelesisMakeup Remover.